In all of his music, DeMarco has the uncanny ability to combine pop and dissonance, and “Salad Days” is no exception. The result is a disorienting carnival song somehow still peculiarly gratifying. “Passing Out Pieces,” the second single on “Salad Days,” is a somber take on “I am the Walrus,” slowing down calliope-inspired instrumentals and pairing it with a melancholic DeMarco reflecting on the toll time has taken on him. The album’s title track is a toe-tap-inducing opener reflecting on growing old and growing up, a theme that continues throughout the subsequent tracks. This isn’t a bad thing, per se, and the most psychedelic, Beatles-esque songs are some of the most enjoyable.
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If he’s been listening to 1967-era Beatles lately, DeMarco certainly knows how to wear his influences on his sleeve. Pepper’s” and “Magical Mystery Tour” to a near-alarming extent. Though it has been said before of DeMarco, with a more prominent voice on the album, the singer sounds distractingly like a cross between Ringo Starr and John Lennon at times, with “Salad Days” reminiscent of “Sgt. The familiarity doesn’t stop there, either. Still, much hasn’t changed in DeMarco’s sound: His distinctive, affected guitar, tuned a half-step up, is still what drives each of the 11 tracks on “Salad Days,” making each song easily attributed to its writer, and almost too familiar at times. With this sharper voice comes an overall cleaner sound - a sign of a more serious musician, perhaps.
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While his first two albums, “Rock and Roll Night Club” and “2,” ring with a distant, lo-fi voice matching DeMarco’s now-notorious nonchalance, “Salad Days” gives us a much more present DeMarco.
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The most immediately noticeable element on “Salad Days” is DeMarco’s vocal presence on the track.
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A year and a half later, the misfit singer/songwriter has released his sophomore full-length LP, “Salad Days,” an intriguing 34-minute long acid trip of an album that distorts everything you love about summery guitar-pop in the curiously appealing way only Mac DeMarco could. When Mac DeMarco released his first full-length album, “2,” in 2012, the Canadian crooner received plenty of critical success and quickly gained almost cult-like indie admiration for his bizarre behavior and lo-fi, poppy tunes.